As dope as Timbaland’s production was on previous hits like "Big Pimpin’," that’s how bad it is on Blueprint 3 tracks like "Venus vs. Although Jay spends much of Blueprint 3 talking about leaving the past behind, the bulk of the album rehashes the same producers and subject matter he’s been using since the first Blueprint. If any song from Blueprint 3 goes down into history, it will be this one.ĭespite the revolutionary stage set by "D.O.A.," the rest of the album is a mostly predictable affair. " is also the album’s most musically adventurous track, a sometimes beautiful, sometimes violent cut that fuses jazz/hard-rock/boom-bap into an epic beat while Jay absolutely murders the mic. " isn’t just a song, it’s a proclamation, and only Jay has the power to issue something like that. Like Moses coming down from the mountain, Jay commanded that Auto-Tune was now dead-and it was so. (Death of Auto Tune)" is not what Hova said, but that everyone listened. What’s truly remarkable about lead single " D.O.A.
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